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Camille Pissarro
Church under the sun
mk259 1901 Oil on canvas years 54.5 x 65.5 cm
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Camille Pissarro
Cloudy pier
mk259 1901 Oil on canvas years 60 x 81 cm
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Camille Pissarro
Norwood,
Norwood, National Gallery, London
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Camille Pissarro
The garden of Pontoise
The garden of Pontoise, painted 1875.
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Camille Pissarro
San Choi Seoul Man River
mk259 Oil on canvas in 1864 about 24 x 32 cm
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Camille Pissarro
The two women beach mk
mk259 1856 oil on canvas 28 x 41 cm
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Camille Pissarro
Marley Road to Hong Kong
mk259 1860-1867 wood 22.8 x 35.1 cm
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Camille Pissarro
River boat
mk259 About 1866 Oil on canvas 43 x 65 cm
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Camille Pissarro
Landscape
mk259 1865 Oil on canvas 28.4 x 44.1 cm
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Camille Pissarro
Loose multi-tile this Ahe rice Tash foot
mk259 Years 1867-1868 oil on canvas 151.4 x 200.6 cm
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Camille Pissarro
Loose multi-tile this Canada thunder hillside
mk259 il on canvas 87 x 114.9 cm
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Camille Pissarro
Roche Gain Plaza
mk259 Oil on canvas in 1867 about 50 x 61 cm
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Camille Pissarro
Loose multi-tile this Canada thunder hillside
mk259 Oil on canvas in 1867 about 70 x 100 cm
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Camille Pissarro
Loose multi tile this s house
mk259 1867 oil on canvas 91 x 150 cm
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Camille Pissarro
Road Vehe s peaceful autumn
mk259 1870 oil on canvas 88.9 x 115.9 cm
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Camille Pissarro
Road Vehe peaceful nearby scenery
mk259 1870 oil on canvas 45.8 x 55.7 cm
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Camille Pissarro
Leads to the loose many this graciousness Li road
mk259 1874 Oil on canvas 55 x 92 cm
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Camille Pissarro
Farm Road side
mk259 1871 Oil on canvas 38.1 x 46 cm
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Camille Pissarro
Road Vehe peaceful suburb road
mk259 1871 Oil on canvas 46 x 55 cm
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Camille Pissarro
Metaponto path Schwarz
mk259 1872 Oil on canvas 52 x 81 cm
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| Camille Pissarro
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Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903
.Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
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